It's especially notable near the beginning of the film when the animators tried to recreate the scene where Ellie meets Crash and Eddie and her adoptive possum mother in "The Meltdown". If anything, it made the film appear to be more like a direct to DVD sequel. For example, when Sid scratches his neck, the claws from his fingers instead appeared to be going through his neck rather than looking like they were behind it. The characters had very stiff and awkward movements that didn't feel natural to me and at times the film had some very noticeable errors. I wasn't very impressed with the character animation though which was due to the film's low budget. I also thought Peter de Seve's character designs once again were terrific as I always enjoy his work. I really thought the set designers did an outstanding job replicating the sets from the previous films. I was especially impressed by how good the Lost World once again looked and even the ice above didn't come off looking like plastic and the water didn't look like jello. For what it's worth, the sets in the film look very good. I want to be kind to the animators at Bardel Entertainment as I feel they had a huge challenge coming off the heels of Blue Sky and had a very limited budget to work on and I felt they did the best they could've done. If anything, the film to me came off more like a discarded draft of "Dawn of the Dinosaurs" than it did as another entry in the saga.Īs far as the animation goes, it's not very impressive either. The jokes here are very desperate and it often relies on low-brow humor like fart jokes and pee jokes desperately trying to make the audience laugh and it fails miserably. I would be more forgiving if the film was funny, and it's not. It just didn't feel like a polished screenplay. Even Crash and Eddie's character development is most delegated to a montage before the big climax at the end of the film. For example, after Buck saves Crash and Eddie from being trampled to death by dinosaurs, he bombards them with exposition about Orson and the main conflict of the film. It's also a film that doesn't feel very well written too. The whole film feels like it mostly retreads ideas and themes that were covered in the previous films and it doesn't do anything unique or interesting with them. These are sidekick characters at best and putting them front and center was a dreadful mistake. For a film that claims to revolve around Buck Wild, the film instead decides to focus on Crash and Eddie who were not my favorite characters in the saga and do not work as protagonists here. You would think that a film centered around the scene-stealing titular weasel from the third film would be fun and sadly you'd be wrong. The whole film mostly goes from scene to scene without any surprises or thrills to be found or not feeling fun at all. While the story is certainly not as ridiculous as the fourth and fifth films, its main problem is that it's both predictable and mostly boring. Going into this film, I wasn't expecting much but I was still surprised by just how unimpressive this film was. As another animated film, it's not very good. Let's put aside all of those details and just look at the film as another brand new animated film. Let's put aside the fact that this is yet another "Ice Age" film and let's also put aside the fact that this film is being made by Disney less than a year after they shut down the studio behind the series, Blue Sky Studios, and that Disney is using the IPs made by them and branding them as their own.
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would begin training Ukrainian forces on how to use, maintain and repair the tanks. He declined to say where that work will be done. Speaking at a Pentagon press conference, Ryder said the tanks will be refurbished and refitted to make them combat ready for Ukraine. The decision was part of a broader political maneuver that opened the door for Germany to announce it would send its Leopard 2 tanks to Ukraine and allow Poland and other allies to do the same. The Biden administration announced in January that it would send the tanks to Ukraine - after insisting for months that they were too complicated and too hard to maintain and repair. “This is about getting this important combat capability into the hands of the Ukrainians sooner rather than later,” said Brig. Officials said the M1A1 also will be easier for Ukrainian forces to learn to use and maintain as they fight the invading Russian forces. But officials said the decision was made to send the older M1A1 version, which can be taken from Army stocks. The original plan was to send Ukraine 31 of the newer M1A2 Abrams, which could have taken a year or two to build and ship. WASHINGTON (AP) - The Pentagon is speeding up its delivery of Abrams tanks to Ukraine, opting to send a refurbished older model that can be ready faster, with the aim of getting the 70-ton battle powerhouses to the war zone by the fall, the Pentagon said Tuesday. Just in time for senior year.Just Fang’s luck: they finally figure out what they want out of life, and now the world’s about to explode. Call it whatever you want, just wishlist it! Goodbye Volcano High: a hybrid cinematic narrative/rhythm game/coming of age/interactive movie experience. Written using the storytelling engine that powers Heaven's Vault, 80 Days and Sorcery.Stunning hand-drawn art and character animations-feels like a playable cartoon.Branching narrative: navigate through difficult choices with far-reaching consequences.Fully voice-acted and starring Lachlan Watson (The Chilling Adventures of Sabrina)." McKernan adds, "I think that a really interesting balance to strike, is that we're trying to treat the subject as responsibly as we can and with as much weight as it warrants, while still having our own kind of world. The coronavirus pandemic has proven to be an instructive lesson in how humans react to cataclysmic events (for good or bad), but it also means, as Dabbous puts it, "We have to make sure that it's not read as straight COVID. "Since things more and more dire in terms of just like our political climate, our ecological crisis," explains Dabbous, "There's a lot of things out there that feel like these looming huge issues that are almost cataclysmic right? And we're just like, OK what is our responsibility as creators to tell narrative that capture this feeling in time?.I think that we're trying to ask ourselves, like, what does it mean to exist at the end of an era? What does it look like? And what is your personal responsibility?" The end of an era in terms of graduation from high school the fact that the characters are dinosaurs, which as we know went extinct the pressures of making important life choices.stress, endings, and the unknown were always in the mix.Īnd then, 2020 happened. If I find myself inclined to dig through a box later I'll see if I can locate and quote it.ĭevelopment began in 2018, and the idea was always to give the story something of an apocalyptic vibe. It was an article in a print copy of PC Gamer, figured it would have been on their website but I'm not seeing it. /r/GamePhysics - Clips of game physics shining and glitchingĭesign based on /r/FlatBlue created by /u/creesch./r/gaming4gamers - middle ground between purely-for-fun and more serious subreddits./r/GamingLeaksAndRumours - Leaks and Rumors.Posting unmarked spoilers will result in removal and warning, and posting spoilers with malicious intent will result in a ban. Please report posts containing spoilers unless they are hidden using the following method or are inside a thread clearly labeled as containing spoilers. If you want to promote without participating in the community, purchase an ad. For more information, see the self-promotion on reddit FAQ. 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